Tuesday 28 February 2017

Heritage Walk the Talk [Part-3]


Jama Masjid


Sketch of Jama Masjid

Architecture and Ideology-
    Site pl

  • Jama means "Jumma" which is Friday, a day when each and every person in that area has to visit this place to fullfill religious needs, community development and awareness, etc.

  • The Muslim community in this area is involved behind the glory and functioning of this glorious Mosque. You can see art like Patang-bazi, Shayari, Pigeon-rush, etc. still being practiced in this area.

  • The structure is constructed on one of the two natural contours, Bhujalal Pahadi present in the area. There were three gates towards North, South and East side to enter the Masjid. The flight is made out of stone slabs. 


Some Interesting facts-

  • Jama Masjid was an Army hospital in 1800's, because Britishers thought why not. 


  • East Gate (Khas Gate) is biggest wrt other two gates and is facing the Red Fort. North Gate is facing the Hindu community. South Gate is facing the Muslim community.

  • During the festival of Id this place goes crazy like Acropolis of Greece. 

  • Metcalf's daughter- distinguishing slippers.
East Gate
Jama Masjid
North Gate
Wuzu Tank
Wuzu Tank and a turret where
Azam can call for prayers

Group photograph in front of Mehrab

Monday 27 February 2017

Heritage Walk the Talk [Part-2]


TellTale to Jama Masjid

Netajee Building might be a palace owned by a
the big personality of that time
The fascinating urban organization
 of this Chowk at the activities carried
on here is explainable by architecture

Chawri Bazar was known as Jannat-e-Shahjahanabad before the advent of Marathas who named this place as Chawri (Marathi) meaning meeting, congregation or sabha in honor to Mahadji Shinde (Maratha Ruler)


Our journey started at the Chowk Hauz-Qazi

Hauz (Parsi) means "Water Tank"
Qazi (Arabic) means "Judge/ Important religious dignitary"

(Click here for the location on Google Maps)


This whole stretch of Chawri Bazar Road was filled with an environment of "Dance and Music"

Division of streets at the time of Mughal Empire

Societal transformation
(A barber in Mughal era v/s now)

  • The stretches of street in Shahjahanabad have gone through a lot of transformation. De-layering which is a cumbersome task in itself but in this trip visiting the heritage of nautch (dancing) girls was the main objective.
  • Don't confuse this area as a red light area (where prostitution is practiced) because their focus was towards the art of entertainment. People residing here were in love and respect for the art of dancing in specific. Even the children of the ruler were sent to Tavaiff's to learn manners and aesthetics of a noble person. 
  • Mujra was meant to be most sensuous, and beautiful dance form of that time. It was performed by girls at that time to showcase their talent towards the art of dance and made her eligible for some noblemen auction where one would become her patron for her entire life.

Three categories of girls/women in this area divided according to the ways they earned their livelihood-
  1. Tavaiff- Highly respected patrons of dance styles, usually were behind a generation of new styles.
  2. Rakasa- Honorable dancers who usually practiced the art of mannerism and dance. 
  3. Randi- Less respected girls who were meant to be of a lower grade and used to practice prostitution.

Now there are perceptions to look towards this scenario one is filthy/corrupted with words like mistresses, sexism going on but the actual scene was totally different than today's approach towards respect and logic. 

Conventional Building in Chawri Bazar

The construction using steel sections
There were shops on the ground floor,
balconies on first floor and roof
Kind of British Facade
Kind of Mughal Facade
The view from the courtyard

The visible layer of the facade was mostly British but I'll try to de-layer it to explain the concept behind it.

Layers

  1. Mughal Layer of the place with the essence of art flowing in the air.
  2. British Layer of the place where they brought marketing (commercializing) forcing the current trends to shift into smaller scales and levels. This was the first wholesale market which later on became a hardware market.
  3. Formation of the dancing community to prostitution making it into a red light area.

British layer 

  • They extended the height of the structure by adding a floor. 
  • They added wooden fascias or louvers on the above part of the extended balconies. 
  • The columns constructed were hybrid with Mughal aspects (lotus base), and Greek/Roman aspects (corinthian capital and shaft)
  • They added a Gothic element (Rose window), French/European element (curled steel jaali), British element (fanlight and panels), and Mughal element (cusped arches).

Saturday 25 February 2017

Ahmadabad a college trip [Part- 3]


Gandhi Smarak Sangrahalaya

Entire Ashram site plan


Site plan for Gandhi Smarak Sangrahalaya

  • Client- Sabarmati Ashram Trust which was established in 1951
  • Architect- Charles Correa
  • Site Analysis- First Ashram was established in Kochrab area in 1915. It was shifted to this 36 acres site near river Sabarmati adjacent to British prison and a graveyard. WHY??. The Museum is covering an area of 0.55 acres.
  • Building Type- Culture and Entertainment [Memorial Museum]
  • Ideology- To preserve the essence of life which Mahatma Gandhi carried (religious community life reflecting the simplicity of a village life having prayer as the main source of strength) and preserving his teachings.
Section showing the
grids of Modularity
  • Concept- Historic Home of Gandhi which acts as a memorial, centre for Gandhian scholars.
  • Structural System- Square units of 6 m span has 0.92 m load bearing brick columns that support RCC channels (beams and rainfall conduits) which further supports wooden roof making it flexible for future additions because of its Modularity. The wall widths were varying from 0.3 m to 0.45 m. The foundation is of concrete and is raised about a foot from the ground.
Site Section and Elevation for
Gandhi Smarak Sangrahalaya

  • Facade- A pattern of tiled roof, in a typology analogous to a village. There was no use of glass but wooden louvers as the medium of light and air to flow in the structure. The interiors had a different approach to transparency. Stone flooring, wooden doors and brick walls were used in the interiors.
Facade at the entrance embracing the Three Monkeys
View of the shallow pool and the inside facade embracing
 the portrait of Mahatma Gandhi out of Silver film.

















Wooden Roof
RCC Channels
Seats between the columns
Use of wide columns as display area
Showing the connection of brick column
with beam and stone floor


An organisation of Gandhi's work this best was dazzling to my eye's. The column's bore statements and some memorable pictures of the legend. Here are some of the quotes that I found extremely useful.










































To be continued about the Entire Ashram in the future posts*

Friday 24 February 2017

Concept of Chahar Bagh


The "fourfold garden" concept used in design was with an aim to make current life on Earth 'eligible for' and 'equivalent to' heaven.


Jannat <=> Gardens
A sketch of Chahar Bagh showing the verge point
Fourfold concept signifies 

Khaya-Bans or walkways
Demographics
  1. Widows
  2. Children that died at younger age
  3. Average people (engaged in good and bad deeds at some point of their life)
  4. Perfect people
Ditches 
  1. Water
  2. Wine
  3. Milk
  4. Honey


Thursday 23 February 2017

Heritage Walk the Talk [Part-1]


Humayun's Tomb 

Detailed Site Plan by ASI
(Click here for more documents)

    Sketch map of the area around Humayun's Tomb
  • Site Location and hierarchyNizamuddin East one of the parts of Ghyaspur has undergone several societal shifts from a main hub of Delhi in the times of Nizamuddin Auliya (13th-14th cent.) to a necropolis (14th-15th cent.) to a refugee camp (19th cent.) and now as a heritage site encapsulating the Humayun's Tomb- there are more than 100 graves, most of the Mughal family is buried here.

  • Client- Hamida Banu Begam (Humayun's widow) commissioned the project in 1569, 13 years after his death. 
  • Architect- Sayyed Muhammad ibn Mirak Ghiyathuddin and his father Mirak Ghiyathuddin. It took 8 years to build.
  • Site Analysis- The site area is 70 acres, measuring about 800 meters W-E and about 350 meters N-S. The platform area is 0.03 acres for the Humayun's tomb which is having a height of  47 meters. 
  • Ideology-  The focus was on replenishing life on the daily basis by involving the heaven aspects. The ambiance was to fulfill needs of all the 5 senses.
  • Concept-  The planning of the tomb was a char bagh ("paradise garden") concept idealizing the life of a king, as said in Islam "कयामत के दिन क्या मुंह दिखाओगे अल्लाह को" meaning "How will you face the god on the day of judgment".
  • Structural System- A double domed octagonal tomb was Framed structure (Trabeated). 
  • Facade- Built of rubble masonry, the structure is the earliest example of the use of red sandstone and white marble. They use Lime and stone as a mortar, which was replaced by lime and surkhi in the crevices during the renovation. Kashi work and Hindu features like lotus finial at the top of the dome and chattris was used a lot. 
Sandstone Craftsmanship
Chemical Reactions
About Lime Mortar

Araish plaster (white colour) was used extensively in the complex which gives a very fine and smooth marble finish. It is made out of gram lentils, jaggery, and natural gum. 


A Beautiful journey to Humayun's Tomb


Sabz Burj
Gol Gumbad, the 15th century Lodhi Dynasty tomb is located at the intersection of Lodhi Road and Lala Lajpat Rai Road. Sabz Burj ("green tiles"), the octagonal tomb is located at the junction of mathura raod and lodhi road to the west of Humayun's tomb.  
Gol Gumabd





Mihrab in the west facing
Isa Khan's Mosque
Isa Khan Tomb, entrance facing North
(Dwarf Wall separating garden with the tomb premise)
Isa khan Tomb, was created by Isa Khan an Afgan grandie ("rich") of Sher Shah Suri darbar. Built in 1547, made a trabeated octagonal structure. The entire octagonal garden was divided into 4 parts which was more than 1 m deep. There was a tapering column in each corner supporting the eave and the roof. The roof is marked by a line of kangooras (battlement like ornamentation). The Dome stands on a 32 sided drum.
A face of Isa Khan tomb having 3 arches.
Isa Khan tomb
Isa Khan's Mosque
Jaali work

There was use of red, blue and white incised plaster work (colour by using natural dies).  The layout of the bodies in the tomb was like head towards North and feet towards South. Plinth height for the verandah is 1m (5 risers). The stone lattice work is the main source of light in the tomb. Externally the mosque is built out of grey quartzite stone ornamented with red sandstone. The interior were simplistic. 

Bu-Halima Gateway
Bu-Halima Tomb


Rear face of the gateway
Interior of Bu-Halima's tomb  with many
 alcoves and  Aaliyah's (recesses)

Aligned in axis with western gate of Humayun's Tomb and Sabz Burj, the 16th century rectangular gateway stands on the Eastern side of the enclosure. The history behind the name "Bu-Halima" is not present and creates many theories but the grave is visible after reaching the top of this small scale rubble structure. The gateway was less ornamented facing the garden and equipped with medallion with tile work, tile work incised in plaster, and handmade red sandstone lattice screen as railing to the jharokha in the above arched entrance on the rear face.




Marble Tomb
Arab Ki Sarai gateway interiors



Pigeon holes on the walls for a
dynamic environmental
 experience
















This 14 meter high gateway led to the enclosure which was built for 300 Arab servants (worksmen skilled in Pietra Dura) who were behind the wonderous architecture of Humayun's Tomb. Afsarwala tomb as the name explains is a 1566, marble tomb inside a double dome tomb on the left of a mosque.


The tomb of Humayun

View of Humayun's tomb
Similar view as in Taj Mahal
WHAT!!














Jaali work process
About Nizamuddin
                                                                                 There is an exhibition Area in the left of this passage having site plan and information regarding its history, architecture, art and also the details behind the renovation performed by Aga Khan Foundation.                                      

Water fountain 
Close up view


graves lined up

Double dome