The Architectural Imagination [Part-3]

How the beginnings of architecture could influence and help conceptualize architecture practices in the present?

Gottfried Semper

Architect and historian Gottfried Semper's primary interest was to study the very beginnings of architecture.

To study those beginning he visited the great exhibition of 1851, in London, housed in the Crystal Palace.

There he saw a full-scale replica of a primitive hut from the Carribean Islands.

Elevation of the hut

Plan of the hut

The empirical fact of this primordial shelter exhibited the most advanced building of that time and it sort of prompted Semper to turn to a kind of materialist but also an anthropological model of architecture's beginnings, and a kind of model of how architecture could move from those beginnings to the present.

The four elements of a building that he devised were-

1. Fire (Ceramics,Metal)- It is a social and cultural equipment that provides both a formal centering device, but also the warmth. The protection that the group can gather around and form itself. Form like a bowl, a pot or a hearth is required to contain the fire. 
2. Base/Stereotomy (Masonry)- To hold this material a base is required. It has an inherent weight, a kind of inherent attachment to the Earth which bears on the Earth with compressive forces. 
3. Tectonics (Carpentry)- It a system composed of walls and the roof considered as an elastic frame. These elements have tensile strength connected by a knot or by tying the elements together.
4. Enclosure (Weaving)- Cloth, tapestry or some sort of woven material varying in thickness to accomplish different needs.